
Eldena
1.
Silver joy:
the fountain
under summer oaks.
I come here,
as one returning home
to write poems upon the ruins.
2.
Reverence turns to imitation
A crow plucks a grub
from decayed bark,
Thus childlike delight
rises
–unlike sleepiness,
nor wine–
from the shell of thought.
The hand moves
tracing the immortal signatures
tracing trails of bees,
tracing ivy-clung walls,
and dotting red poppies
upon rows of yellow wheat.

3.
He says you are never not broken
and smiles as I try to make sense.
Of how light becomes color,
signal comes from noise
and consciousness wakes from matter.
His poems
reveal a effortless effort
addressed to the hidden, microscopic worlds
behind ordinary stones and pebbles
small things cast in great arches of time.
If you touch one thing, he says,
you touch everything.
I wondered once if he was crazy
or worse a joker and a thief
but there was no doubt every time
he came to visit me I felt more alive
richer and wiser.
Could he be the old man
buried here?
Or is he somewhere on that journey
the eye takes
as it scans the sunset,
from chariot clouds
to nightfall.
When I heard him speak
through Kerouac’s lips:
“accept loss forever.”
I beheld a single symbol
drew it large
and buried it
in the soil.

4.
Thus imitation turns to reverence
the silent fool under an eclipsed moon
blood within, stars without
shining above and reflected below
in the umberal stillness of the Baltic.
The friars in the ruins whisper to
the deaf, dumb thousands
emerging from the years
years like distorted candles
years like masonic etchings
on living brick walls.
Are we the only to hear?
5.
The silver fountain flows;
again the magic circle is drawn.
I sleep tonight on grass
and dream of poppies and oaks.
A dream halved with the ghost
that gave Eldena its portrait
In the east, dawn silhouettes the ruins
And the crow flies

